Wednesday, February 22, 2012

What is Art? When Does the Artistic Endeavor Begin?


Drawn in September 2010 one month after yesterday's entry, Number Three Daughter provides further three-year-old Expressionism as depicted below. To my knowledge, she was not using any particular real world object to represent but this came from within her imagination. I marvel that this is a part of her still, small Inner Voice at the moment of the design and creation. Her rendition makes me think of Matisse due to the expressive simplified curves and the riotous Fauvian color. As her Dad, I was impressed with her unprompted ability to fill the entire canvas with at least two types of methodology - the curves and the color patches.....which was a milestone for her as well and one of the reasons why this work was retained by me. I call this original artifact Souvenir of Matisse (2010) but, of course, I am merely an admiring father. It makes me think of a clump of Bananas at rest on a surface. She continued to utilize the extended curves as a design motif for the next few months in more than one artistic session without referencing prior efforts which I found remarkable. When recently asked at five years old, she did not have any recollection of the subject matter or the representation at the time of creation two years ago.


Original Art: Souvenir of Matisse - Copyright James E. Martin 2010

Based on the Concept Attainment model proposed in yesterday's entry, there appears to be evidence of  Sensation, Attention, and Perception in Daughter's rendition at the time of creation but apparently the Labeling, Meaning, or Emotion for this particular effort may not have been explicitly retained in her longer term memory.

So, dear Reader, when does the Artistic Endeavor and the Creative Pursuit begin? What is the difference between an Artist and Not-An-Artist? When do we start on the path to achieving our Unique Potential along Life's Journey? Do we require an Audience for our Art? Are Teachers, Critics, and Reviewers required? Is an Original Artifact required? Is it necessary for the Artifact to be retained for posterity? Or Publication? Or Gallery Showings? Or world-wide Distribution? Is Self-awareness and Self-assertion of the Artistic Endeavor required? Is Commitment necessary? Is a Declaration of Intent required? Is Instruction required? To what degree is there evidence of Artistic Insight, Artistic Formulation, and Artistic Expression in the piece shown? These are apparently controversial matters in the affairs of mankind.

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