Showing posts with label Daily Painting. Show all posts
Showing posts with label Daily Painting. Show all posts

Thursday, August 9, 2012

No. 5: Lightning in the Thunderhead

A few weeks ago I was out traveling in the car one late evening. A thunderstorm was evident in the distance and lightning was erupting in the gathering thunderhead of clouds. What reflections and brilliance and calamity I recall! I did not have my camera to capture the effect and may not have been able to because of the momentary flickers of lightning.

As I was finishing out some daily painting today, thunderheads were again gathering and I recalled the prior moment and remembrance. Here is an attempt to capture my thoughts and feelings of that moment using the remnants of today's last paint mounds on the palette. The smell of rain is approaching.

Original Painting: Lightning in the Thunderhead - Copyright James E. Martin 2012

Wednesday, August 8, 2012

No. 4: Bittersweet

We have two cats, recently rescued from an elderly assisted living and retirement center during a policy change mandating that no animals may be kept in residence. They are named Buddy and Sissy, and they are both quite vocal. They talk to us and they sit at the window or screen door and chatter at the birds outside.

Daily Painting number four is influenced by a black and white engraving by L.J. Bridgeman from 1898.

Engraving: Merry Christmas Mrs. Pussycat - L.J. Bridgman 1898

I have rendered the above engraved image in oil color on a 6" x 6" prepared board with effort towards a chiaroscuro effect of light-dark. I imposed birds and blooms that are figured for a springtime rather than wintertime season. The clapboard siding is reminiscent of an old New England farmhouse. The coloring of the birds is rendered from a separate 100-year-old lithograph diecut remnant. The bright and cheery colors contrast with the building's drab facade.

Original Painting: Bittersweet - Copyright James E. Martin 2012

Why "Bittersweet"? Well, I am the cat. Figuratively trapped inside the New England farmhouse. Would rather be outside chasing the birds and doing what I do best. Currently though, unemployed from my own natural and chosen endeavors. I can see and hear through the screened window. The cacophony of the world of birds is just beyond my reach but well within view. My current environment is more drab and there is a hint of more color and activity in the outside world. That's bitter and sweet for me.

The birds pitter and patter about the bushes and blooms and they squawk at me with great energy with all sorts of taunts and complaints. They are in the wide, open world and seemingly enjoying every moment of my imposed "incarceration" that keeps me from their company. There is something about the birds remaining in close proximity to me, the cat, that is just a hint of their seemingly ignorant dysfunctional behavior. Why don't they just fly away? That's sweet and bitter for them.

And the color of the bittersweet vine is used for the birds....orange and yellow and brown. Against the drab and chiaroscuro background.

I gotta go. One of the cats is calling my name.

Tuesday, August 7, 2012

No. 3: Angel Aiming on High

Today's daily painting is also inspired by a victorian lithograph which is probably about 100 years old. Artist and/or lithographer unknown. 

Lithograph - James E. Martin 2012

The item has been scanned and photo-shopped to remove major defects such as borders, pitting, discolorations, rips, creases, and smudges. The "Easter Greetings" writing has been removed from the egg. I love the overall image and the color palette.  Perhaps someday I shall be able to originate such grandeur with elegance.

From the source image influencing my approach, I have made some adjustments to fit my drawing onto a 6" x 6" prepared board. I also tried to attain more emphasis for the expressive intent on the angel's face and the angle of the arrow's aim to the upper right corner. I removed the angel's garb and surrounding environment. The right arm of painting is over-emphasized and alludes to the extra effort required.

Original Painting: No. 3 Angel Aiming On High - Copyright James E. Martin 2012

My humble resultant painting does speak to me and of me at this point in time. As a self-taught artist trying to improve my skills, I need the angel's guiding hand and winged assistance to enable me in wielding the paintbrush to attain the visions of grandeur and elegance that originally resides only in my mind's eye and heart. The angel's arrow is poised upward similar to my paintbrush to attain new heights with each effort with intent to hit the targeted bulls-eye. The palette is not as bright as I would like but I was aiming for more chiaroscuro effect. As with many human endeavors, we err and only reach perfection within a radius of probability. We must practice. We each come to the artistic endeavor without external garb, refined robes, or bejeweled accessories. Our eyes are a bit jaded and masked as we don't always see as clearly as we ought. We have only what we know and what we can do today at this moment.

I feel shackled with encumbrances. Mostly about time and availability. But I am moving, and walking, and doing something in a forward direction.

Monday, August 6, 2012

No. 2: Just Fishing

Been quite busy. Not always about doing art necessarily. That's unfortunate. Sneaking lots of peeks at things about art that are inspiring though. In stolen moments. One inspiration is a small victorian lithograph. 100 years old. Just a snippet of a thing.


Lithograph: The Red Boat - James E. Martin 2012

I love the red boat. And the colors overall and the general image. It speaks to me because I am in a smaller boat at this time in my journey. Much of what I am doing has aloneness about it but is not necessarily lonely. I cast and wait. Cast and wait. Watching the view. The water is placid. The scene and pace is generally peaceful. I am thinking Renoir and Monet. But the landscape around me appears more turbulent and chaotic. I am thinking Van Gogh. There is a place for me to land the boat...in time. And a path to take once I get there. But for right now I am enjoying some solitude and avocation. Reflecting. Just Fishing.


Original Painting: No.2 - Just Fishing - Copyright James E. Martin 2012

Sunday, July 22, 2012

No. 1: Positive Beats Negative: Unique Potential - Art is Like a Pair of Jumper Cables

Today is Sunday. Traditionally for some, a day of reflection and introspection about who one is in the realm of larger things.  And so it is for me today. A listening to the Inner Voice.

The Journey of Completing 120 Paintings to learn about the Artistic Endeavor and the Creative Pursuit starts with the first painting, Number 1. I am going to suggest that I completed that first painting four months ago.

Herein are two energetic tales connected four months apart. In this exposition, the end comes before the beginning. I shall entitle the first tale "The End" as you, dear Reader, shall soon discover why.

The End. On March 14 of this year, my wife was working late at the office. When she went out to start her vehicle to return home for a late dinner, the battery was dead. She noticed that an interior dome light may have been left on for a protracted period, perhaps even due to the daytime play of our beloved five-year-old daughter who enjoys pretending play in the car in the driveway at home with open windows and her dollies placed and buckled in the carseats. My wife ruminated that was the cause. She called me and I ventured downtown to offer an assisted start with well-known black-and-red jumper cables. We were able to get her home for a late dinner in a fairly straightforward manner.

After use, I placed the cables on the front passenger seat of my vehicle. The next morning, when I transported my very observant five-year-old daughter to day care, she noticed the cables and asked "What are those, Daddy, Chomper Cables?" That expostulation tickled my fancy! But where did that come from? 

I surmise that she had heard her parent's phone conversation the night prior and not knowing the details of the event in her innocence, had kept her quiet repose at the time but had attached some thwarted meaning to partially heard words with which she had no prior experience. She held any commentary in reserve at the time. When she was able to visibly see the cables the next morning, however, it all came together for her. Her memory of the conversation was immediately assisted by the now visible objects draped over the seat in front of her declaring their ferocity with copper teeth and she was able to attach her word label to the event. See for yourself. The interface clamps ARE armed to the teeth in an anthropomorphic sense. Jumper cables. Chomper cables. I get it.  ;o)

Original Photo: Chomper Cables - Copyright James E. Martin 2012

In March 2012, I was attempting to move towards understanding the discipline and effort required for a Daily Painting initiative. No small feat amidst a busy schedule of multi-tasking and numerous projects on my To Do list. The above-mentioned photo was a still life arranged by me after the comic event to instill some artistic meaning to those recently humorous anecdotes into otherwise mundane objects utilized in our daily lives. One of the genres I have noticed about the Daily Painting initiative is that the artists may select objects or scenes from their daily lives to practice their skills, approach, or develop a style. The genre clearly and concretely illustrates their Creative Pursuit while expositing the stories and script of their world perspective, their life's Journey and therefore their Artistic Endeavor.

Original Painting: Chomper Cables - Copyright James E. Martin 2012

It was a different experience for me as well to document this rather simple anecdote and potential memory in this manner. As the Reader will note in my now re-constituted blog history, I stopped my daily art blog entries two days later on March 16 and, at the time as I thought best, removed the history from the web. Too much going on at the time with some critical events that required my complete focus and attention. Art was laid aside. The blog was laid aside. Perhaps as a permanent decision. It was a sad day for me. "Chomper Cables" was my last painting in my first 90-day period of ramping up to an un-declared Daily Painting initiative. It was my end. So now, dear Reader, we shall return to the the second related tale.

The Beginning. I have been thinking recently about re-starting my art journey with some trepidations. I intend to re-frame the next part of my artistic journey by declaring to myself to paint 120 paintings to pattern my progress in a new phoenix. Of course, it's obvious that the declaration is now shared and is not at all a private one. The saga continues.

Last week offered mid-summer seasonal hot weather and high humidity. As I was dropping my young daughter off at day care, I returned to my vehicle and it groaned a bit at start-up. I got it back home to the driveway in prompt recognition of the matter and attempted two more ignition starts in a safe haven and it failed to turn over at the second try. I needed a new battery.

My dear wife had been up late at home and again early with work-related endeavors, and we agreed that I would use her vehicle that day to share a breakfast at a local restaurant, and I would drop her off at work and use her vehicle to settle my battery replacement endeavor. Sounded like a great plan. Later, I proceeded to a well-known department store to acquire a battery but they no longer carried the items in inventory. Darn. I left the store to proceed to another well-known department store that surely must have the desired item. Unfortunately, my wife's vehicle failed to turnover at start-up in the parking lot heat with what seemed to be a dead battery. No pre-indicating symptoms! Just a clicking of the solenoid. Yikes. Two vehicles down and now far from home.

I purchased a 350-amp quick starter from the department store hoping it might just offer enough margin to get me going. No such luck. Requires 48-hours of charging to enable effective use as per nominal warnings and instructions. Rather than call emergency roadside service, which by the way we have, and wait for an indeterminable time period for rescue in the heat, I decided on a Plan B to walk the perceived considerable distance to a known battery store, lug the battery home, and at least get my first vehicle going. I could return later to revive the second vehicle.

As I started out on my journey homeward in late morning, admitting to myself that I didn't really have any otherwise truly urgent business to attend to or to re-schedule and could work this solution at my discretion, lo and behold, there was an unanticipated battery and tire store in the proximal area. Returning to Plan A to get her vehicle restored, I purchased a battery for my wife's vehicle, borrowed some jumper cables from the friendly store manager, and proceeded back to my wife's vehicle in a rather short stroll to execute a jump start without changing out the battery per se. It didn't work. I tried everything, checked my assumptions, and then tried it again. I went into the department store and bought a couple of tools to change out the battery, surmising that perhaps the cable interfaces needed cleaning. I switched out the batteries to no avail. The vehicle wouldn't start. Could I possible have an even worse and more expensive problem with her vehicle? Although it crossed my mind that the new battery might be defective, I concluded that it was a quite remote probability. But the clicking solenoid and general car symptoms were sure acting like a weak battery. I called my reliable car mechanic to see if there was anything I wasn't thinking about. He affirmed that I appeared to be covering all the possibilities.

I decided to return to Plan B and get my vehicle at home repaired. I set out to walk the journey in the heat, taking some water bottles with me, and called a neighbor for a possible transportation assist to pick me up, purchase a new battery, and get me home to switch it out. The neighbor was able to assist after a food shopping maneuver and eliminated a long potential walk for me with some of it lugging a heavy battery. I revived my car late afternoon and returned to revive my wife's vehicle in early evening. My vehicle promptly jump-started her vehicle with our reliable chomper cables.

Yikes! I had been given a potentially defective new battery. What are the chances of that? What are the chances of three bad batteries, one of them brand spanking new, in the same morning? After starting my wife's vehicle, I returned the defective battery, had it tested, pronounced defective by competent authorities and calibrated measurement devices, then replaced the unit, and all was back to normal with two now operating vehicles after a long day's endeavor.

The Moral of the Stories. Of course, dear Reader, this a somewhat round-about long story of two interconnected, jumpered tales to get to the moral. You have been so patient with me to get this far in the stories. My last completed painting was four months ago of a pair of "chomper" cables where "Positive Overcomes Negative". I deliberately and literally put away the paints and supplies. Four months later, I started thinking about reviving my commitment to the art blog and Daily Painting activity, and I encountered three dead batteries in one day!  The chomper cables were involved but weren't the main character in the second story. The tale of "A Defective Energy Source" is one of remote probabilities not daily occurrences.

Perhaps the morals of the stories are tried and true. (A) "If at first you don't succeed, try and try again."; (B) "Check your assumptions and run them to Ground [pun intended]"; (C) "Carry emergency and rescue equipment with you"; (D) "Don't Ever Give Up the Ship"; (E) "A Friend in Need is a Friend Indeed".

But all in all, I would like to think that Painting Number 1: "Positive Beats Negative" is where I would prefer to start my "120 paintings" journey of discovery. It is therefore an Alpha. But it is also an Omega. It is where I left off "Once Upon a Time...." [and all good stories start that way...].

I am not yet ready to declare for myself that the Artistic Endeavor and the Creative Pursuit are my sole reliable energy sources. To be realistic, I think that assertion would be a potential defect in my overall energy commitments and understandings at this time. But I have concluded that Art is a jumper cable in my life's path. It is a very important part of how I see the world around me and is part of that perspective. It connects the energy sources that I tap into and that I have relied upon and keeps the energy flowing among the necessary imperatives. And it is therefore required in my vehicles. And I have concluded that Art, in the form of the Artistic Endeavor and the Creative Pursuit, needs to be ready, available, used frequently, displayed, talked about, drawn, painted, and represented as a part of myself in my Daily Walk and in my Life's Journey. No. 1: "Positive beats Negative" is part of my Unique Potential. Now that's a decent moral to the stories. The moral is "Art is like a pair of Jumper [Chomper] Cables". It helps definitize one aspect of Unique Potential. Who would have guessed that I would learn these things over four months after painting a fairly mundane, straight-forward, serendipitous painting? And that I needed to deliberately lay Art aside for a time to find that I could not Leave It Be unless I would deny Self. Not me, to have planned these things, please be assured.

The journey of 120 paintings begins. My eyes are wide open and my ears unstopped. My legs are a bit weary and unstable but I will put one foot in front of the other. My heart and mind are in it. I am "chomping" at the bit. Ouch.


Tuesday, March 13, 2012

Setting Expectations Towards Renewal: 120 Paintings


Jeff Mahoney, a member of the Daily Painting initiative, has a great website that chronicles the progression of his early art. One of the Larry Seiler Lessons Learned, that Jeff embodies, and that he has chronicled in his blog, is that one has to complete 120 paintings to know anything about painting. I will be taking that observation to heart as I move forward.