Monday, July 30, 2012

Simple Rationale: Memories

A painting doesn't have
to have a profound meaning.
It doesn't have to 'say' a word.
We fall in love for simpler reasons.

Harley Brown

Original Photo: Flower Girl with Ankles Crossed - Copyright James E. Martin 2012

This statue was a gift from my mom earlier this year during spring season. She had it for a few years and had purchased it on a visit to North Carolina to visit favorite relatives, my Aunt Elaine and Uncle Jim, both now deceased a little over five years ago.  Aunt 'Laine was a profound influence on my early interests in art and was an artist in her own right.

Early this spring, I had cleared a small spot by the Victorian playhouse for the Flower Girl With Her Ankles Crossed, planted some purple johnny-jump-ups, and there she rests, nestled among the shrubs, quietly watching over my five-year-old daughter active at play. They both cross their ankles in the very same manner.

Three generations of active, independent, assertive, loving women influencing my life. A nice reminder for the memories.

Sunday, July 29, 2012

Reflection: Light After the Storm

"Art becomes a spiritual process depending upon the degree of commitment that you bring to it. Every experience becomes direct food for your art. Then your art teaches you about life" - Nick Bantock

That is how I feel on this day of reflection. That spiritual benefits such as "insight into life's meaning" accrue from commitment to a purpose. But I always come back to the resolution that I must Live the Moment.  And that focusing one's life energy on the important things through a disciplined, day-by-day journey is one of the keys to happiness, fulfillment, and reaching one's Unique Potential.

The most beautiful and dramatic light in the sky and clouds above comes after a storm.


Original Photo: Light After the Storm - Copyright James E. Martin 2011

Friday, July 27, 2012

A New Day: An Unfolding Progression

Original Photo: Primed Canvas Boards - Copyright James E. Martin 2012

I have prepared numerous painting boards with various primed background colors. Others have done this before me but this is new for me. I anticipate applying acrylic or oil paints to the painted surfaces during this part next of the Journey. It's an experiment on my part and a new exposure.


Original Photo: Black-eyed Susan 01 - Copyright James E. Martin 2012


Original Photo: Black-eyed Susan 02 - Copyright James E. Martin 2012


 Original Photo: Black-eyed Susan 03 - Copyright James E. Martin 2012


Original Photo: Black-eyed Susan 04 - Copyright James E. Martin 2012

I like the macrophotos I recently obtained of the Black-eyed Susan flower. They reveal a geometry, a perspective, and an unfolding progression at a scale we don't normally perceive. Part of the new day.

Thursday, July 26, 2012

The Drawing Saga Continues: First Self-Portrait

A self-portrait must be obligatory at some point in the Artistic Endeavor. I do not recall ever having completed one. Until now. So this is a first. The first shared anyway. The first that may have some likeness to the artist. Because I did seven other notebook sketches from various source photos resulting in relative failures and non-likenesses to get to this artifact. Again, some of them are laughable.

The source photo is from 2009. I won't share the photo at this time since there may be other representations I want to spin off from the source photo eventually. The journey and the challenge continues.


Original Drawing: Artist Likeness - Copyright James E. Martin 2012

Wednesday, July 25, 2012

Continuing to Draw: First Likeness

My first objective in my Daily Drawing exercises has been to aim towards a "likeness". I fail frequently. Some of the efforts are laughable.

I surmise that one of the most difficult aspects of drawing or painting is to have the ability to "fashion a likeness" of an object, a place, or especially a person. A likeness would then represent a similarity, a familiarity, and the spirit and essence of the person, place, or thing. Out of the first 33 sketches in my notebook, only about 3-4 are rated by me as having a "likeness" to the model. I find it particularly difficult with respect to people and portraits. So further practice in observation and representation is required. In some cases, I am practicing the same model in the same pose and expression several times, evaluating each time what needs to be improved to move closer to a likeness.

The following representation is of my artist friend enjoying the lake in Maine. He's a real saint to mentor me in my artistic endeavor. I will never forget his example and his commitment to the creative pursuit. Saints are also forgiving and I need a lot of mercy in this journey.

Original Photo: Irish Saint - Copyright James E. Martin 2012


Original Drawing: Irish Saint - Copyright James E. Martin 2012

It took me two different sketches to get it to a point where I thought it was a likeness. This is my first likeness. Thanks Bob. What character there is in this model!

Tuesday, July 24, 2012

Commencing to Draw: Maine Lobster

It seems to me that I have been drawing most of my life to represent ideas, designs, and to communicate but the emphasis has always been more on a practical planning and implementation of an engineering or building project not with an artistic imperative of an object with a view towards any permanence or retention of the artifact. Over the last few months I have been emphasizing artistic Daily Sketching in a drawing notebook. There is much room for improvement in many ways but I hope to build my skills by practice. Drawing notebooks may have many different purposes. They may be private or shared, places for notional ideas or intended as finished artwork in and of themselves. From my perspective, they are chronological journals of ideas, and a venue to build skill, ability, and expertise in observation and representation. If I see something that I like and want to record, I pull out the sketching tools.

One of the first drawings I am willing to share.....


Original Drawing: Summer Lobster - Copyright James E. Martin 2012

Sunday, July 22, 2012

No. 1: Positive Beats Negative: Unique Potential - Art is Like a Pair of Jumper Cables

Today is Sunday. Traditionally for some, a day of reflection and introspection about who one is in the realm of larger things.  And so it is for me today. A listening to the Inner Voice.

The Journey of Completing 120 Paintings to learn about the Artistic Endeavor and the Creative Pursuit starts with the first painting, Number 1. I am going to suggest that I completed that first painting four months ago.

Herein are two energetic tales connected four months apart. In this exposition, the end comes before the beginning. I shall entitle the first tale "The End" as you, dear Reader, shall soon discover why.

The End. On March 14 of this year, my wife was working late at the office. When she went out to start her vehicle to return home for a late dinner, the battery was dead. She noticed that an interior dome light may have been left on for a protracted period, perhaps even due to the daytime play of our beloved five-year-old daughter who enjoys pretending play in the car in the driveway at home with open windows and her dollies placed and buckled in the carseats. My wife ruminated that was the cause. She called me and I ventured downtown to offer an assisted start with well-known black-and-red jumper cables. We were able to get her home for a late dinner in a fairly straightforward manner.

After use, I placed the cables on the front passenger seat of my vehicle. The next morning, when I transported my very observant five-year-old daughter to day care, she noticed the cables and asked "What are those, Daddy, Chomper Cables?" That expostulation tickled my fancy! But where did that come from? 

I surmise that she had heard her parent's phone conversation the night prior and not knowing the details of the event in her innocence, had kept her quiet repose at the time but had attached some thwarted meaning to partially heard words with which she had no prior experience. She held any commentary in reserve at the time. When she was able to visibly see the cables the next morning, however, it all came together for her. Her memory of the conversation was immediately assisted by the now visible objects draped over the seat in front of her declaring their ferocity with copper teeth and she was able to attach her word label to the event. See for yourself. The interface clamps ARE armed to the teeth in an anthropomorphic sense. Jumper cables. Chomper cables. I get it.  ;o)

Original Photo: Chomper Cables - Copyright James E. Martin 2012

In March 2012, I was attempting to move towards understanding the discipline and effort required for a Daily Painting initiative. No small feat amidst a busy schedule of multi-tasking and numerous projects on my To Do list. The above-mentioned photo was a still life arranged by me after the comic event to instill some artistic meaning to those recently humorous anecdotes into otherwise mundane objects utilized in our daily lives. One of the genres I have noticed about the Daily Painting initiative is that the artists may select objects or scenes from their daily lives to practice their skills, approach, or develop a style. The genre clearly and concretely illustrates their Creative Pursuit while expositing the stories and script of their world perspective, their life's Journey and therefore their Artistic Endeavor.

Original Painting: Chomper Cables - Copyright James E. Martin 2012

It was a different experience for me as well to document this rather simple anecdote and potential memory in this manner. As the Reader will note in my now re-constituted blog history, I stopped my daily art blog entries two days later on March 16 and, at the time as I thought best, removed the history from the web. Too much going on at the time with some critical events that required my complete focus and attention. Art was laid aside. The blog was laid aside. Perhaps as a permanent decision. It was a sad day for me. "Chomper Cables" was my last painting in my first 90-day period of ramping up to an un-declared Daily Painting initiative. It was my end. So now, dear Reader, we shall return to the the second related tale.

The Beginning. I have been thinking recently about re-starting my art journey with some trepidations. I intend to re-frame the next part of my artistic journey by declaring to myself to paint 120 paintings to pattern my progress in a new phoenix. Of course, it's obvious that the declaration is now shared and is not at all a private one. The saga continues.

Last week offered mid-summer seasonal hot weather and high humidity. As I was dropping my young daughter off at day care, I returned to my vehicle and it groaned a bit at start-up. I got it back home to the driveway in prompt recognition of the matter and attempted two more ignition starts in a safe haven and it failed to turn over at the second try. I needed a new battery.

My dear wife had been up late at home and again early with work-related endeavors, and we agreed that I would use her vehicle that day to share a breakfast at a local restaurant, and I would drop her off at work and use her vehicle to settle my battery replacement endeavor. Sounded like a great plan. Later, I proceeded to a well-known department store to acquire a battery but they no longer carried the items in inventory. Darn. I left the store to proceed to another well-known department store that surely must have the desired item. Unfortunately, my wife's vehicle failed to turnover at start-up in the parking lot heat with what seemed to be a dead battery. No pre-indicating symptoms! Just a clicking of the solenoid. Yikes. Two vehicles down and now far from home.

I purchased a 350-amp quick starter from the department store hoping it might just offer enough margin to get me going. No such luck. Requires 48-hours of charging to enable effective use as per nominal warnings and instructions. Rather than call emergency roadside service, which by the way we have, and wait for an indeterminable time period for rescue in the heat, I decided on a Plan B to walk the perceived considerable distance to a known battery store, lug the battery home, and at least get my first vehicle going. I could return later to revive the second vehicle.

As I started out on my journey homeward in late morning, admitting to myself that I didn't really have any otherwise truly urgent business to attend to or to re-schedule and could work this solution at my discretion, lo and behold, there was an unanticipated battery and tire store in the proximal area. Returning to Plan A to get her vehicle restored, I purchased a battery for my wife's vehicle, borrowed some jumper cables from the friendly store manager, and proceeded back to my wife's vehicle in a rather short stroll to execute a jump start without changing out the battery per se. It didn't work. I tried everything, checked my assumptions, and then tried it again. I went into the department store and bought a couple of tools to change out the battery, surmising that perhaps the cable interfaces needed cleaning. I switched out the batteries to no avail. The vehicle wouldn't start. Could I possible have an even worse and more expensive problem with her vehicle? Although it crossed my mind that the new battery might be defective, I concluded that it was a quite remote probability. But the clicking solenoid and general car symptoms were sure acting like a weak battery. I called my reliable car mechanic to see if there was anything I wasn't thinking about. He affirmed that I appeared to be covering all the possibilities.

I decided to return to Plan B and get my vehicle at home repaired. I set out to walk the journey in the heat, taking some water bottles with me, and called a neighbor for a possible transportation assist to pick me up, purchase a new battery, and get me home to switch it out. The neighbor was able to assist after a food shopping maneuver and eliminated a long potential walk for me with some of it lugging a heavy battery. I revived my car late afternoon and returned to revive my wife's vehicle in early evening. My vehicle promptly jump-started her vehicle with our reliable chomper cables.

Yikes! I had been given a potentially defective new battery. What are the chances of that? What are the chances of three bad batteries, one of them brand spanking new, in the same morning? After starting my wife's vehicle, I returned the defective battery, had it tested, pronounced defective by competent authorities and calibrated measurement devices, then replaced the unit, and all was back to normal with two now operating vehicles after a long day's endeavor.

The Moral of the Stories. Of course, dear Reader, this a somewhat round-about long story of two interconnected, jumpered tales to get to the moral. You have been so patient with me to get this far in the stories. My last completed painting was four months ago of a pair of "chomper" cables where "Positive Overcomes Negative". I deliberately and literally put away the paints and supplies. Four months later, I started thinking about reviving my commitment to the art blog and Daily Painting activity, and I encountered three dead batteries in one day!  The chomper cables were involved but weren't the main character in the second story. The tale of "A Defective Energy Source" is one of remote probabilities not daily occurrences.

Perhaps the morals of the stories are tried and true. (A) "If at first you don't succeed, try and try again."; (B) "Check your assumptions and run them to Ground [pun intended]"; (C) "Carry emergency and rescue equipment with you"; (D) "Don't Ever Give Up the Ship"; (E) "A Friend in Need is a Friend Indeed".

But all in all, I would like to think that Painting Number 1: "Positive Beats Negative" is where I would prefer to start my "120 paintings" journey of discovery. It is therefore an Alpha. But it is also an Omega. It is where I left off "Once Upon a Time...." [and all good stories start that way...].

I am not yet ready to declare for myself that the Artistic Endeavor and the Creative Pursuit are my sole reliable energy sources. To be realistic, I think that assertion would be a potential defect in my overall energy commitments and understandings at this time. But I have concluded that Art is a jumper cable in my life's path. It is a very important part of how I see the world around me and is part of that perspective. It connects the energy sources that I tap into and that I have relied upon and keeps the energy flowing among the necessary imperatives. And it is therefore required in my vehicles. And I have concluded that Art, in the form of the Artistic Endeavor and the Creative Pursuit, needs to be ready, available, used frequently, displayed, talked about, drawn, painted, and represented as a part of myself in my Daily Walk and in my Life's Journey. No. 1: "Positive beats Negative" is part of my Unique Potential. Now that's a decent moral to the stories. The moral is "Art is like a pair of Jumper [Chomper] Cables". It helps definitize one aspect of Unique Potential. Who would have guessed that I would learn these things over four months after painting a fairly mundane, straight-forward, serendipitous painting? And that I needed to deliberately lay Art aside for a time to find that I could not Leave It Be unless I would deny Self. Not me, to have planned these things, please be assured.

The journey of 120 paintings begins. My eyes are wide open and my ears unstopped. My legs are a bit weary and unstable but I will put one foot in front of the other. My heart and mind are in it. I am "chomping" at the bit. Ouch.


Saturday, July 21, 2012

Lavender in Profusion: Busy Bees

Recently I purchased some macro lens filters for my digital camera. I have been wanting to conduct some closeup photography for some time. I was reviewing an older SLR photography book that referenced these filters and went looking to purchase a set. It doesn't require the purchase of an expensive macro-zoom lens since I can use the zoom lenses I already have. With these attached combinations of 1-, 2-, and 4-diopter filters, they definitely offer some new perspectives in the Creative Pursuit.

I would like to say I have been busy as a bee but in comparing relative persistence and productivity, they have me beat hands down. The lavender is in profusion.


 Original Photo: Lavender in Profusion - Copyright James E. Martin 2012


And the honey bees and bumble bees have each blossom covered. I have spent a few moments in sunny mornings chasing bees to capture the appropriate depth of field [pun intended]. They move fast and I have to get within 8-12 inches of them and focus based on my precise distance to the object not by adjusting the lens. It's a chase.

Original Photo: Busy Bee 01 - Copyright James E. Martin 2012

Each spring and summer, I watch for the return of the bees to the flower and vegetable gardens and their prodigious behavior throughout the season.

With the advent of Colony Collapse Disorder (CCD), it's nice to know how the pollen gatherers fare. Entire economies are founded on their successful activity in pollination of our food sources. The study of the worlwide supply chain for honey collection and distribution is a fascinating one. There are interesting effects in the system dynamics because of the effects due to inventories, pricing, long term storage, reconstitution of honey, food labeling, high volume pollination services, cross-country bee transport, and contamination along the production process path that affect the consumer. Honey is considered one of the best foods for general preventive health. Using honey produced from local pollens presumably protects against allergies. For health reasons and to support the local economy, I became convinced to source and use nearby small business and hobby producers. It's all interconnected.

Friday, July 20, 2012

Fragile Weave of Earth's Bounty: Interconnected

In February of this year, I had a dream about a certain set of brushstrokes, couldn't shake it upon awakening, and played with that idea painting small tradecards throughout the day. I developed numerous experiments that were quite abstract compared to anything I have ever done. It was a very serendipitous moment based on a tiny dreamt inspiration. The artifacts were almost more craft than art and I chose not to re-post them in this latest blog phoenix. But in reviewing the works, the original idea about brushstrokes had morphed into topological representations of left-and-right, step-by-step, chains, networks, particles, patterns, hidden wholes within segmented patterns, innovation with methods, different-but-equal, similarity, diversity, sizing, and finally, a small multimedia piece about conflagration of separated pieces. The resultant overall theme, however, was one of Interconnectedness.

During my three month respite from blogworld, I had to wrestle with numerous personal challenges that required my complete focus. But along the way, I read quite profusely as my sole recreation. About a lot of things affecting the world, the USA, the economies, the role of businesses, the peoples of the world, religions, governments, certain countries, certain events, certain issues, beliefs, cultures, group dynamics, the role of the individual, etc. I do not normally engage with political theory and dynamics but have increasingly been reading in that area over the last two years.

I have some ideas and conclusions I am not yet certain what to do with them. Somehow incorporating them into my art seems the most reasonable thing to do. Talk is cheap. So I won't do much more of that for now. Perhaps it will become part of a artistic Manifestoa and commitment in the future?

The very last artifact that I constructed out of the Connectedness journey in February I never posted but I offer it today after this prolonged respite. It characterizes my thoughts and feelings this morning as I get started.

Original Artifact: Fragile Weave of Earth's Bounty-Copyright James E. Martin 2012

Can we craft our future?

Thursday, July 19, 2012

Life is Like a Carnival:

Perhaps life is like a carnival....


Original Photo: (1) Choose a Friend-Copyright James E. Martin 2012

 We choose a friend to share it with. And head towards the advertised attractions.



Original Photo: (2) All For the Same Thing-Copyright James E. Martin 2012

We are probably all in it for roughly the same reason(s). There's a payoff in there somewhere isn't there?



Original Photo: (3) Get In The Game-Copyright James E. Martin 2012

We figure out how to get in the game. Each in our own way and manner. Given our circumstances. We pretty much all step up.



Original Photo: (04) Gain Refreshment-Copyright James E. Martin 2012

We load up on refreshments for the foreseeable future.



Original Photo: (05) Check It Out-Copyright James E. Martin 2012

We check out the rides before making a total commitment.




Original Photo: (06) Round and Round-Copyright James E. Martin 2012

We go round and round on occasionally uneven slopes. But it sure seems like fun.



Original Photo: (07) Up and Down-Copyright James E. Martin 2012

We go up and down.



Original Photo: (08) New Heights-Copyright James E. Martin 2012

We scale new and lofty heights. 



Original Photo: (09) Faster and Faster-Copyright James E. Martin 2012

We go faster and faster.


Original Photo: (10) Try Our Skill-Copyright James E. Martin 2012

We apply our knowledge, abilities, skills, and experience along the way.



Original Photo: (11) Precarious Predicaments-Copyright James E. Martin 2012

Sometimes we get into precarious positions. Sometimes we have a safety net. Sometimes not. And the view is nice if we keep our head up.




Original Photo: (12) Tossed and Turned-Copyright James E. Martin 2012

We get tossed and tumbled. Sometimes with safety equipment. Sometimes not. 



Original Photo: (13) Collect  Rewards-Copyright James E. Martin 2012

We gather rewards along the way.



Original Photo: (14) One More Time-Copyright James E. Martin 2012

Sometimes we even convince ourselves and others that we will go around one more time.




Original Photo: (15) Rearview Mirror-Copyright James E. Martin 2012

It's nice to have a vehicle with a rearview mirror to see where we have been. And to take advantage of that perspective occasionally.




Original Photo: (16) At the Controls-Copyright James E. Martin 2012

Since we are in the drivers seat, we even surmise that we are at the controls and have all the necessary indicators to assess the status of our vehicle and the progress of our journey.


Original Photo: (17) Carousel Blur-Copyright James E. Martin 2012

When we get off the Carousel of Life, as sometimes happens, and have a chance to not be in the Round-And-Round Up-And-Down motion, it's interesting to assess whether we really got anywhere. In certain moments of observation and reflection, it does seem somewhat of a blur what the ride was all about. What with the motion, the lights, and the cacophony around us.



Original Photo: (18) Simpler Times-Copyright James E. Martin 2012

There are alternatives. Different. Quiet. Away from crowds. With a chance to relax and reflect.

To everything there is a season. But I do think life may be like a carnival.......

Wednesday, July 18, 2012

Marooned: A Solitary Pursuit

Once marooned, now what?

I don't believe that anyone ever really plans on being marooned on an island. I guess I have to take that back......the television show Survivor is a modern day exception. You can plan it and have it paid for and sign a contract for it. That's entertainment.

Two of my favorite stories are Robinson Crusoe and Swiss Family Robinson. I have read them again and again throughout my life. The story lines are similar: shipwrecked, survival, self-reliance, accommodation to newfound circumstances, meeting challenges in a strange land, social obscurity, attaining quality of life, eventual prosperity of sorts, rescue, and plausible return to society.

Speaking of shipwrecks, survival, and living one's life in a new direction,  it has been said that one must paint 120 paintings to learn anything about painting. An interesting thesis to pursue. I am leaning in the direction of that endeavor. Yesterday and this morning, I cut (100) 6" x 6" hardboard canvases and (64) 8" x 8" hardboard canvases. Each of them will be painted with an acrylic backing color. I am going to vary the colors among the boards for visual effect in selection.

More than any other time, this Artistic Endeavor feels empty, alone, and solitary. It does not have to be so, I know. There are many others who have found a more social path along which to explore their artistic journey. But this is where I am today and how I feel.


Original Photo: Moosehead Lake Island in Maine - Copyright James E. Martin 2011

Islands have a peculiar fascination for me.

Tuesday, July 17, 2012

A New Dawn: A Quiet Stillness in the Morning

Each day IS a new day.

Perhaps its true that to start a journey on a new path, first, one turns, then, one takes a step at a time in a new direction. Initially, the view isn't any different, but perhaps eventually, the perspective is different, the venue is altered, and a new horizon appears. And along the way, new feelings replace the old memories.

Here's to the dawn of a new day. It usually starts out quiet. This feels like learning to walk again.

Original Photo: Dawn of a New Day - Copyright James E. Martin 2012

Monday, July 16, 2012

Torn Between Two Things: The Struggle Continues

Once Upon a Time.... [all good stories start this way], I saw a movie, the title of which I completely forget. Only one line in the movie was memorable to me.  While seated in a convertible, a man and a woman are discussing life-changing events that effect each other and the line is: "I will always be torn between two things....like living in the country and living in the city....."  And that phrase has stuck with me ever since. It is suitable to build a novel around.

So today, dear Readers, I re-posted the first 90 days of blog entries [which were previously removed] as a way of re-entering the blog world. There is a large part of me that is reticent to do so in that I am aware of the commitment and follow-through required to sustain the blog effort in continuing to build and share. There is a part of me that says so to do. I recently perused the book "14000 things to be happy about" by Barbara Ann Kipfer and found that many of the items I rated as satisfying from her given list had to do with creativity associated with visual art. But I am having difficulty verbalizing the level of commitment I am willing to make in the near term. It is very much about who I am and/or who I am to become. Torn. A struggle.

Since this blog is a visual arts venue, I feel compelled to provide a somewhat suitable graphic to depict my feelings. This one comes to mind. And I don't have time to paint it in a timely manner to blog it promptly so the photograph must suffice for the moment.


Original Photo: Moonlight Motorboat in Maine - Copyright James E. Martin 2009 

I thank you, dear Readers, for your forbearance.