Showing posts with label Lesson Learned. Show all posts
Showing posts with label Lesson Learned. Show all posts

Friday, November 30, 2012

Lessons Learned: Its Not Just About Drawing

This approach.  It's different. Sometimes a good execution. Sometimes not. Arrangements are an additional design attribute. This is what I was headed for this month. Took a while to get there. Had to get in the traffic flow. Observing people in different postures, positions, and context.

Daily Sketch: Grouping 01 - Copyright James E. Martin 2012



Daily Sketch: Grouping 02 - Copyright James E. Martin 2012


Lessons Learned:  This is the third month sketching along the commute. As I look back at the month's lessons, I did need to get in a different venue to challenge my observation and expression skills. It was time. I was able to derive occasional stories from the sketches which augment the meaning. The meaning wasn't necessarily derived from the subject but from the feelings or thoughts I was having that day and how that affected my filtering and selecton and expression of subjects.

The larger format sketchbook may have both helped and hindered. It facilitated the latter sketches whereby head arrangements were allowed. But sometimes I felt I was getting sloppy in my discipline. I will continue the depot station context where cafe tables, travelers waiting, hoboes sleeping in the morning, and folks ordering food are daily occurrences. The weather has not yet turned extremely adverse in winter yet and when it does that may impose additional variance in subject matter in the three month outlook.

There may be some value in reducing the number of lines to illustrate the sketch. Therein may lie Style.

Sketching from short term memory still has opportunities if I am walking, see something worthwhile, and need to capture it once I have a moment to sit in a sort of graphic note-taking and remembrance.

Many of these faster sketches in the public arena are "faceless". But I am constantly aware that there is a story behind every person, an agenda, a life of wins and losses, of high hopes and desperate cares. And even of the routine of Daily Life to survive, maintain, grow, and perhaps even prosper amidst an economy of uncertainty.

Beauty, hands, Character, Ideas, and Stories are still elusive in sketching. I have much to learn. I am already looking forward to Springtime and the warmth of a new year's outdoor activity.

These are also days of some sadness and grief amongst the cares and purpose of daily living. It's a time for self-reflection and misty eyed moments. This Creative Pursuit and Artistic Endeavor is a Journey that is revealing about Self. This Daily Sketching is not just about Art nor drawing a few lines on paper.

Wednesday, October 31, 2012

Month End: A Story and Lessons in the Image

I was much pleased with today's sketch. Not only did the person offer some character in the view and perspective but the resultant image tells a contemplative, meditative story. I had been having difficulty with hands and fingers and this pose was motivating for it presented palm gloves with fingers extruded. This was a suitable ending to the last  month long journey and worthy to me of showing my progress after 60 days of sketch practice during my rail commutes. This was a good likeness, showed light-dark contrast, tells a story, and has some feeling associated with it.  In my humble apprentice opinion.

Daily Sketch: Contemplative - Copyright James E. Martin 2012

I went back and reviewed my first set of Lessons Learned after 30 days of sketching.

What are my Lessons Learned for the second 30 day period of sketching? I had some firsts: Group sketch, assembled composite of multiple individuals, and Beauty. Matured my ability to capture a likeness but not always. Also, was able to start thinking about how to capture a feeling in the sketch. Increasing the size of the sketchbook and each sketch may be helping the resultant effort. I am working up the scale from cartoon caricature to realism. I have occasionally been able to move away from the flat face two-dimensional graphic to a more 3D depiction. In this last 30 days, I feel better about eyes, nose, and mouth. And that focus has resulted in better Likeness.

What are potential challenges going forward? Recognized the need to capture attributes such as childness, agedness, frailty, etc. Adding more body posture and position to the head portraits I have been doing? Detailing hands only perhaps. Maybe being willing to sit at the depot at the end of a workday for an extra 45 minutes and sketch people at the cafe tables. Or standing waiting for their ride. Or working at the eateries and kiosks. Methods might include using a tinted marker or wash to add depth to the outline sketch Could consider switching to some type of pen to darken the outlines and eliminate erasures from the method. Some of my opportunities come from Serendipity. Must be on the lookout for her.

Sunday, September 30, 2012

30 Days of Daily Sketching: Lessons Learned

Sundays are good days for reflection.

I have never done this concerted sketching before. It was a way to fit my Artistic Endeavor into an otherwise horrendously busy day while starting a new job. It was my personal time in the day for me. The mass transit is bumpy and jostling making it difficult to sketch at times. An eraser is handy. It can be crowded. I saw the value in drawing on a continuum between realism and caricature to capture a likeness. I thought faster was better and helped flow the work. Head and hair seemed easier. Eyes, nose, lips, and chin were more difficult especially if working towards a likeness. There were times to try and capture a feeling or a mood in an expression and were so labeled. Many positions, postures, and perspectives will be routine in the mass transit venue but the people and personalities will vary. Must guard against boring me or others. Opportunities include drawing a quick observation or moment from memory and one's minds eye. Within the month there were maybe six events that were special and above the ordinary in terms of effort and results and uniqueness. Out of twenty days of morning and evening commutes for forty total sessions. Must keep the pencil sharp. It makes a difference. Draw a bit heavier for emphasis, strength, and contrast as well as reproducing on the web. Try to post each weekend if not possible during the week. Develop a business card with the blog address and artist info to share and build.

The sketch this summer of RDGM at Play in July took some time and was very deliberate. The drawing was sourced from a photo. The work over the last 30 days demonstrates much more looseness to its creation and is sourced from life.

Would like to continue to mature my skills in daily sketching application but the competition for my time will probably increase. It will be interesting to see what the next thirty days reveal.

Daily Sketch: RDGM at Play - Copyright James E. Martin 2012

Monday, August 20, 2012

Who Am I: Inward Journey Through an Outward Traverse

The sun has settled on our week of tent camping across the eastern United States.

Original Photo: August Sunset - Copyright James E. Martin 2012

The tent camping endeavor this past week was enjoyable. I can't say that one of my objectives in life has ever been "the pursuit of happiness". Particularly in later life, its attainment has been elusive amidst the responsibilities of perceived "duty". I would not assert that I have had a lot of "fun" necessarily along my Journey for several years and various assignments. Except where I was having fun with my professional technical work achievements. But I have numerous daily joys particularly as it relates to my immediate family, my five-year-old kindergartner, and a very small group of close friends. My satisfactions have always come from commitment to my values and working towards goals and objectives.
 
This week's Journey was fun. I enjoyed adapting to events and circumstances as they presented themselves and working to make the best of things as they happened to be. I guess that is Living in the Moment. Surveying a camp site, making simple choices to optimize the orientation of the daily home base, and relaxing with simple pleasures like a morning coffee around a campfire were part of the satisfactions. Simple dialogs with spouse and daughters in a different venue was fun and valued. Although I did not have the time and availability necessarily to paint or sketch along the way, I had numerous photo opportunities to feed the daily painting pipeline when I so endeavor. I enjoyed each quiet morning before the rest of camp society woke up.

To some degree, I feel as if the achievements have been many thus far in my life but not necessarily set up in an orderly fashion for presentation. A cairn and waypoint has been established at this point in time but things may be different going forward and thus require a different approach. Things will look different. Things will be different.

Original Photo: A Cairn But Disorderly - Copyright James E. Martin 2012

My wife and I recently attended a wedding for two of my young, former co-workers. It's always nice in a certain way to renew one's own vows in the presence of another new ceremony. It's a reinterpretation of sorts. After the wedding and reception, we took the next day to travel the New Hampshire beaches from Salisbury to Hampton to Rye Beach along Routes 1 and 1A.

The small, balanced and orderly stone stacks were appealing on this entire trip. We made one of our own stacks of stones on a New Hampshire beach along the sea wall. I say "we" but my wife chose five stones and stacked them...one for each member of the family, I guess. We are at the bottom with the three daughters above [Big Bit, Little Bit, and Itsy Bit].

Original Photo: An Orderly Balanced Cairn- Copyright James E. Martin 2012

Along our beach walk, one set of older kids was visiting with their Mom on her birthday. They had found and partitioned off a small portion of the beach with beach pebbles and engraved in the sand surrounding it - "a perfect portion of beach" since the water had smoothed the sand with no ripples or imperfections. They had retained the segment of perfect beach for Mom's view during the day. A very special gift, I must say. 
 
My present task is not dissimilar in that I must apportion a part of the shifting and imperfect sands around me and set aside a portion of the day that is perfect for me for that day. The daily tide may erode the reserved area after the day is done or the rain may dribble it's imperfection upon the surface but each day brings a new day and a new perfect apportionment. It's a nice anecdote and mental image for a Lesson Learned. Thank you, Beachcombers! A pleasant gift.
 
 
Original Photo: A Perfect Beach Preserved - Copyright James E. Martin 2012

So this week was a semblance of a return to core values from younger days. It has been an Artistic Endeavor of daily photography not of daily painting. The Outward Travel molds and shapes the Inner Journey.

"You can imitate,
but at some point,
you have to start identifying
who you are as a painter -
the 'who am I' of the inward journey
that every artist must take".

Camille Przewodek

Sunday, July 22, 2012

No. 1: Positive Beats Negative: Unique Potential - Art is Like a Pair of Jumper Cables

Today is Sunday. Traditionally for some, a day of reflection and introspection about who one is in the realm of larger things.  And so it is for me today. A listening to the Inner Voice.

The Journey of Completing 120 Paintings to learn about the Artistic Endeavor and the Creative Pursuit starts with the first painting, Number 1. I am going to suggest that I completed that first painting four months ago.

Herein are two energetic tales connected four months apart. In this exposition, the end comes before the beginning. I shall entitle the first tale "The End" as you, dear Reader, shall soon discover why.

The End. On March 14 of this year, my wife was working late at the office. When she went out to start her vehicle to return home for a late dinner, the battery was dead. She noticed that an interior dome light may have been left on for a protracted period, perhaps even due to the daytime play of our beloved five-year-old daughter who enjoys pretending play in the car in the driveway at home with open windows and her dollies placed and buckled in the carseats. My wife ruminated that was the cause. She called me and I ventured downtown to offer an assisted start with well-known black-and-red jumper cables. We were able to get her home for a late dinner in a fairly straightforward manner.

After use, I placed the cables on the front passenger seat of my vehicle. The next morning, when I transported my very observant five-year-old daughter to day care, she noticed the cables and asked "What are those, Daddy, Chomper Cables?" That expostulation tickled my fancy! But where did that come from? 

I surmise that she had heard her parent's phone conversation the night prior and not knowing the details of the event in her innocence, had kept her quiet repose at the time but had attached some thwarted meaning to partially heard words with which she had no prior experience. She held any commentary in reserve at the time. When she was able to visibly see the cables the next morning, however, it all came together for her. Her memory of the conversation was immediately assisted by the now visible objects draped over the seat in front of her declaring their ferocity with copper teeth and she was able to attach her word label to the event. See for yourself. The interface clamps ARE armed to the teeth in an anthropomorphic sense. Jumper cables. Chomper cables. I get it.  ;o)

Original Photo: Chomper Cables - Copyright James E. Martin 2012

In March 2012, I was attempting to move towards understanding the discipline and effort required for a Daily Painting initiative. No small feat amidst a busy schedule of multi-tasking and numerous projects on my To Do list. The above-mentioned photo was a still life arranged by me after the comic event to instill some artistic meaning to those recently humorous anecdotes into otherwise mundane objects utilized in our daily lives. One of the genres I have noticed about the Daily Painting initiative is that the artists may select objects or scenes from their daily lives to practice their skills, approach, or develop a style. The genre clearly and concretely illustrates their Creative Pursuit while expositing the stories and script of their world perspective, their life's Journey and therefore their Artistic Endeavor.

Original Painting: Chomper Cables - Copyright James E. Martin 2012

It was a different experience for me as well to document this rather simple anecdote and potential memory in this manner. As the Reader will note in my now re-constituted blog history, I stopped my daily art blog entries two days later on March 16 and, at the time as I thought best, removed the history from the web. Too much going on at the time with some critical events that required my complete focus and attention. Art was laid aside. The blog was laid aside. Perhaps as a permanent decision. It was a sad day for me. "Chomper Cables" was my last painting in my first 90-day period of ramping up to an un-declared Daily Painting initiative. It was my end. So now, dear Reader, we shall return to the the second related tale.

The Beginning. I have been thinking recently about re-starting my art journey with some trepidations. I intend to re-frame the next part of my artistic journey by declaring to myself to paint 120 paintings to pattern my progress in a new phoenix. Of course, it's obvious that the declaration is now shared and is not at all a private one. The saga continues.

Last week offered mid-summer seasonal hot weather and high humidity. As I was dropping my young daughter off at day care, I returned to my vehicle and it groaned a bit at start-up. I got it back home to the driveway in prompt recognition of the matter and attempted two more ignition starts in a safe haven and it failed to turn over at the second try. I needed a new battery.

My dear wife had been up late at home and again early with work-related endeavors, and we agreed that I would use her vehicle that day to share a breakfast at a local restaurant, and I would drop her off at work and use her vehicle to settle my battery replacement endeavor. Sounded like a great plan. Later, I proceeded to a well-known department store to acquire a battery but they no longer carried the items in inventory. Darn. I left the store to proceed to another well-known department store that surely must have the desired item. Unfortunately, my wife's vehicle failed to turnover at start-up in the parking lot heat with what seemed to be a dead battery. No pre-indicating symptoms! Just a clicking of the solenoid. Yikes. Two vehicles down and now far from home.

I purchased a 350-amp quick starter from the department store hoping it might just offer enough margin to get me going. No such luck. Requires 48-hours of charging to enable effective use as per nominal warnings and instructions. Rather than call emergency roadside service, which by the way we have, and wait for an indeterminable time period for rescue in the heat, I decided on a Plan B to walk the perceived considerable distance to a known battery store, lug the battery home, and at least get my first vehicle going. I could return later to revive the second vehicle.

As I started out on my journey homeward in late morning, admitting to myself that I didn't really have any otherwise truly urgent business to attend to or to re-schedule and could work this solution at my discretion, lo and behold, there was an unanticipated battery and tire store in the proximal area. Returning to Plan A to get her vehicle restored, I purchased a battery for my wife's vehicle, borrowed some jumper cables from the friendly store manager, and proceeded back to my wife's vehicle in a rather short stroll to execute a jump start without changing out the battery per se. It didn't work. I tried everything, checked my assumptions, and then tried it again. I went into the department store and bought a couple of tools to change out the battery, surmising that perhaps the cable interfaces needed cleaning. I switched out the batteries to no avail. The vehicle wouldn't start. Could I possible have an even worse and more expensive problem with her vehicle? Although it crossed my mind that the new battery might be defective, I concluded that it was a quite remote probability. But the clicking solenoid and general car symptoms were sure acting like a weak battery. I called my reliable car mechanic to see if there was anything I wasn't thinking about. He affirmed that I appeared to be covering all the possibilities.

I decided to return to Plan B and get my vehicle at home repaired. I set out to walk the journey in the heat, taking some water bottles with me, and called a neighbor for a possible transportation assist to pick me up, purchase a new battery, and get me home to switch it out. The neighbor was able to assist after a food shopping maneuver and eliminated a long potential walk for me with some of it lugging a heavy battery. I revived my car late afternoon and returned to revive my wife's vehicle in early evening. My vehicle promptly jump-started her vehicle with our reliable chomper cables.

Yikes! I had been given a potentially defective new battery. What are the chances of that? What are the chances of three bad batteries, one of them brand spanking new, in the same morning? After starting my wife's vehicle, I returned the defective battery, had it tested, pronounced defective by competent authorities and calibrated measurement devices, then replaced the unit, and all was back to normal with two now operating vehicles after a long day's endeavor.

The Moral of the Stories. Of course, dear Reader, this a somewhat round-about long story of two interconnected, jumpered tales to get to the moral. You have been so patient with me to get this far in the stories. My last completed painting was four months ago of a pair of "chomper" cables where "Positive Overcomes Negative". I deliberately and literally put away the paints and supplies. Four months later, I started thinking about reviving my commitment to the art blog and Daily Painting activity, and I encountered three dead batteries in one day!  The chomper cables were involved but weren't the main character in the second story. The tale of "A Defective Energy Source" is one of remote probabilities not daily occurrences.

Perhaps the morals of the stories are tried and true. (A) "If at first you don't succeed, try and try again."; (B) "Check your assumptions and run them to Ground [pun intended]"; (C) "Carry emergency and rescue equipment with you"; (D) "Don't Ever Give Up the Ship"; (E) "A Friend in Need is a Friend Indeed".

But all in all, I would like to think that Painting Number 1: "Positive Beats Negative" is where I would prefer to start my "120 paintings" journey of discovery. It is therefore an Alpha. But it is also an Omega. It is where I left off "Once Upon a Time...." [and all good stories start that way...].

I am not yet ready to declare for myself that the Artistic Endeavor and the Creative Pursuit are my sole reliable energy sources. To be realistic, I think that assertion would be a potential defect in my overall energy commitments and understandings at this time. But I have concluded that Art is a jumper cable in my life's path. It is a very important part of how I see the world around me and is part of that perspective. It connects the energy sources that I tap into and that I have relied upon and keeps the energy flowing among the necessary imperatives. And it is therefore required in my vehicles. And I have concluded that Art, in the form of the Artistic Endeavor and the Creative Pursuit, needs to be ready, available, used frequently, displayed, talked about, drawn, painted, and represented as a part of myself in my Daily Walk and in my Life's Journey. No. 1: "Positive beats Negative" is part of my Unique Potential. Now that's a decent moral to the stories. The moral is "Art is like a pair of Jumper [Chomper] Cables". It helps definitize one aspect of Unique Potential. Who would have guessed that I would learn these things over four months after painting a fairly mundane, straight-forward, serendipitous painting? And that I needed to deliberately lay Art aside for a time to find that I could not Leave It Be unless I would deny Self. Not me, to have planned these things, please be assured.

The journey of 120 paintings begins. My eyes are wide open and my ears unstopped. My legs are a bit weary and unstable but I will put one foot in front of the other. My heart and mind are in it. I am "chomping" at the bit. Ouch.


Thursday, July 19, 2012

Life is Like a Carnival:

Perhaps life is like a carnival....


Original Photo: (1) Choose a Friend-Copyright James E. Martin 2012

 We choose a friend to share it with. And head towards the advertised attractions.



Original Photo: (2) All For the Same Thing-Copyright James E. Martin 2012

We are probably all in it for roughly the same reason(s). There's a payoff in there somewhere isn't there?



Original Photo: (3) Get In The Game-Copyright James E. Martin 2012

We figure out how to get in the game. Each in our own way and manner. Given our circumstances. We pretty much all step up.



Original Photo: (04) Gain Refreshment-Copyright James E. Martin 2012

We load up on refreshments for the foreseeable future.



Original Photo: (05) Check It Out-Copyright James E. Martin 2012

We check out the rides before making a total commitment.




Original Photo: (06) Round and Round-Copyright James E. Martin 2012

We go round and round on occasionally uneven slopes. But it sure seems like fun.



Original Photo: (07) Up and Down-Copyright James E. Martin 2012

We go up and down.



Original Photo: (08) New Heights-Copyright James E. Martin 2012

We scale new and lofty heights. 



Original Photo: (09) Faster and Faster-Copyright James E. Martin 2012

We go faster and faster.


Original Photo: (10) Try Our Skill-Copyright James E. Martin 2012

We apply our knowledge, abilities, skills, and experience along the way.



Original Photo: (11) Precarious Predicaments-Copyright James E. Martin 2012

Sometimes we get into precarious positions. Sometimes we have a safety net. Sometimes not. And the view is nice if we keep our head up.




Original Photo: (12) Tossed and Turned-Copyright James E. Martin 2012

We get tossed and tumbled. Sometimes with safety equipment. Sometimes not. 



Original Photo: (13) Collect  Rewards-Copyright James E. Martin 2012

We gather rewards along the way.



Original Photo: (14) One More Time-Copyright James E. Martin 2012

Sometimes we even convince ourselves and others that we will go around one more time.




Original Photo: (15) Rearview Mirror-Copyright James E. Martin 2012

It's nice to have a vehicle with a rearview mirror to see where we have been. And to take advantage of that perspective occasionally.




Original Photo: (16) At the Controls-Copyright James E. Martin 2012

Since we are in the drivers seat, we even surmise that we are at the controls and have all the necessary indicators to assess the status of our vehicle and the progress of our journey.


Original Photo: (17) Carousel Blur-Copyright James E. Martin 2012

When we get off the Carousel of Life, as sometimes happens, and have a chance to not be in the Round-And-Round Up-And-Down motion, it's interesting to assess whether we really got anywhere. In certain moments of observation and reflection, it does seem somewhat of a blur what the ride was all about. What with the motion, the lights, and the cacophony around us.



Original Photo: (18) Simpler Times-Copyright James E. Martin 2012

There are alternatives. Different. Quiet. Away from crowds. With a chance to relax and reflect.

To everything there is a season. But I do think life may be like a carnival.......

Tuesday, March 13, 2012

Setting Expectations Towards Renewal: 120 Paintings


Jeff Mahoney, a member of the Daily Painting initiative, has a great website that chronicles the progression of his early art. One of the Larry Seiler Lessons Learned, that Jeff embodies, and that he has chronicled in his blog, is that one has to complete 120 paintings to know anything about painting. I will be taking that observation to heart as I move forward.

Saturday, February 18, 2012

Daily Walk: Splash and Play to Your Hearts Content


In April 2010, I was developing an increasing sense of wanting to re-emphasize the Artistic Endeavor and Creative Pursuit in a more deliberate manner in my life. I purchased two simple sets of drawing pencils, colored pencils, and colored markers with drawing pads of three sizes and kept one set in my vehicle and one set in my drawer at work. During lunches, I was then free and able to take some time and focus on Art to Relax by getting away from the daily grind. Materials were available and the mind was ready. This sketch reminded me of my then three-year old daughter's direct approach to joy in life - giggling, marching, splashing, twirling, hand waving, kicking, and jumping in the water to a full heart's content with her eye's intent on the effect of the splash in the warmth of the sun. I kept it at my desk as a constant reminder of my deep need to return to these basics and to visualize the benefit in my child's experience and in the Me as Child.

Original Art: Copyright - Heart's Content by James E. Martin 2010

As adults with responsibilities in a demanding and dynamic world, it is so easy for us to forget or avoid the riches of childlike play and exploration as a contributor to joy in life. In the Practical World, other Forces direct what we do with our Time and our Money and our Spirit and even our Self. And then it becomes an adult habit....to not play and miss the fun.  We might even lose some of our sense of Self over a period of time.

Dear Reader, let's agree not to forget about including those activities that bring us fulfillment in our Daily Walk. It's a daily time for repose, recreation, remembering, recovery, restoration, reaching back, and reaching forward. Welcome and prepare for the effects of Serendipity in the Creative Pursuit. Apply and direct our Life Force and Energy purposefully and with deliberate intent to those things that we know are of Value and contribute to expressing our individual Unique Potential.

Lessons Learned: Prepare for and make ready. Listen to our still and small Inner Voice. Return to our roots. Fill the cup on a daily basis to your Heart's Content.

Monday, January 30, 2012

Impressionism: Precepts 1-5: A Moment in Time


After many years of studying and reading about the Impressionist style, I happened upon one the best characterizations of the movement from a book in my local library recently. How did I miss this one? Modern French Painters by R. H. Wilenski. Originally published in 1939, I borrowed the 1963 edition.

Lessons Learned: In summary from the rich detail provided, the Impressionist articles of faith include:
  • First, a visual impression of a scene from a moment in time accidently encountered by the artist
  • Second, start and complete the painting of the scene en pleine aire, outdoors not in the studio, preferably in one sitting
  • Third, utilize a bright and lively palette of tonal color
  • Fourth, utilize a method of "broken color"...the application of pigment in small strokes that merge at a distance 
Although I have not yet finished reading the book, there is one other tenet that shows in many of the Impressionist's works that I think should be included:
  • Fifth, utilize a unique perspective, angle, view, frame, and/or panorama
Like many articles of faith and in accordance with the tenor and reach of each artist during the period, these parameters were jostled in the community of practice between artists and over time as the Modern art movement progressed. Interestingly, Impressionism would be considered part of the Realism genre based on Tenet 1 and Tenet 2 emphasizing direct observation as opposed to an idealistic, romantic, or theoretical composition arranged from one's memory in the studio.

The advent and rise of photography would also coincide somewhat with the Impressionist movement and eventually supercede its prevalence as a popular way to record a moment in history.  In years to come, the 'Kodak Moment" would become the more republican and democratic way to create and record the important "still life" image. An ever widening user-audience could frame the picture with a simpler skill set than the time, training or talent drawing and painting might require. The digital age has taken "point-and-click-and share" to affordable new heights with remarkable quality and distribution.

My first original Impressionist painting according to these basic tenets was Celebration of Passage (2009).

Original Art: Copyright James E. Martin 2009

Description: I had been contemplating doing an original Impressionist painting for quite some time. My oldest daughter graduated high school in 2009 and my second oldest daughter graduated from middle school the same year. A graduation party was hosted in our front yard replete with red balloons tied to our white scalloped picket fence representing the local school colors. The following morning I arose with the dawn to complete the yard cleanup and beheld two balloons lazily drifting in a mild wind after losing some of their helium by the open corner gate. That moment in time, the two balloons yearning to be free of their restraints at the open gate from within the fences bounding our property iconified how I perceived my two girl's Celebration of Passage through one of life's gates to the next phase of their maturity and subsequent release to the world at large. I had planted a small Blue Spruce christmas tree at the corner years earlier which had the potential to baseline the painting and the girl's growth over time as we viewed the painting against the tree's growth in the future. The perspective and composition for the fence, shrubs, flowers, trees, and gate was there in the blink of an eye. No arrangement of objects required. The light was dramatic. Today was the day. This was the moment.

With the five tenets of Impressionism in mind, the easel was set up for a suitable perspective to frame the picture based on that moment's inspiration and the painting started and completed within a few hours using colors straight from the paint tube with little mixing. Although, I took digital photos throughout the session of what I was painting to characterize the changing light for later retrospection, I didn't refer to them because of the sun's glare on the small digital viewer. I recall a sense of anxiety about the manner in which the light changed during the session. But I very much enjoyed the challenge of coloring the grass in the yard based on its hillocks, dips and shadows. Speed was of the essence. I felt I couldn't paint fast enough. It was my first experience with the Impressionist approach in real time. I found it challenging and exhilarating by the time I was finished. I finally and actually knew in some small way what they had experienced in France during the late 1800s.
I have found that my study of Victorian history and the Impressionist era has influenced my "mind's eye". Capturing those particular observed moments in Time and Space in my daily walk serves to inspire a litany of potential art motifs and locations. Some days I cannot outline the ideas fast enough. Studying the Impressionist paintings regarding their approach, development of motif, methods, and techniques has served to influence how I approached this first painting and what I was seeking to accomplish. But caution is well advised that a "formula" to painting is not necessarily what I am about or what I am after.Lesson Learned: Living in the moment is one of the life's deep satisfactions. The Artistic Endeavor and the Creative Pursuit help give meaning to some of the important moments. Seek to exercise and emphasize Tenet 5 to discover unique perspectives.