Sunday, September 30, 2012

30 Days of Daily Sketching: Lessons Learned

Sundays are good days for reflection.

I have never done this concerted sketching before. It was a way to fit my Artistic Endeavor into an otherwise horrendously busy day while starting a new job. It was my personal time in the day for me. The mass transit is bumpy and jostling making it difficult to sketch at times. An eraser is handy. It can be crowded. I saw the value in drawing on a continuum between realism and caricature to capture a likeness. I thought faster was better and helped flow the work. Head and hair seemed easier. Eyes, nose, lips, and chin were more difficult especially if working towards a likeness. There were times to try and capture a feeling or a mood in an expression and were so labeled. Many positions, postures, and perspectives will be routine in the mass transit venue but the people and personalities will vary. Must guard against boring me or others. Opportunities include drawing a quick observation or moment from memory and one's minds eye. Within the month there were maybe six events that were special and above the ordinary in terms of effort and results and uniqueness. Out of twenty days of morning and evening commutes for forty total sessions. Must keep the pencil sharp. It makes a difference. Draw a bit heavier for emphasis, strength, and contrast as well as reproducing on the web. Try to post each weekend if not possible during the week. Develop a business card with the blog address and artist info to share and build.

The sketch this summer of RDGM at Play in July took some time and was very deliberate. The drawing was sourced from a photo. The work over the last 30 days demonstrates much more looseness to its creation and is sourced from life.

Would like to continue to mature my skills in daily sketching application but the competition for my time will probably increase. It will be interesting to see what the next thirty days reveal.

Daily Sketch: RDGM at Play - Copyright James E. Martin 2012

Friday, September 28, 2012

Inching Forward Again:

It must be working. I am getting a little bit more ahead.


Daily Sketch: Professorial - Copyright James E. Martin 2012


Daily Sketch: Focused - Copyright James E. Martin 2012



Daily Sketch: Pre-occupied - Copyright James E. Martin 2012



Daily Sketch: Nina - Copyright James E. Martin 2012

Not many puppy dogs on the subway. A young couple walked on today with a muzzled mama named Nina. It took me a few seconds to realize she was a potential model. I guess because she was nervous and moving a lot. Eventually she settled down and I sketched her. Showed the result to the couple and shared the blog site address. An older lady who liked the dog showed interest in the sketch and wanted to see too. Nina was a beautiful silver-chocolate color with a sheen.

Thursday, September 27, 2012

Fast Draw; Keep It Simple

Hair and head shape seem to come easier to me in the fastdraw mode. I reverted to just those components to get kick-started again.


Daily Sketch: Partials - Copyright James E. Martin 2012

Wednesday, September 26, 2012

A Dry Day: Only Two to Share

Been difficult to get sketches that are beyond elementary or rudimentary. Feels like reversion and retrograde. Could not even begin to capture the beauty of the first. The artist at failure. Hah. The second was a partial likeness.

Daily Sketch: Beauty Missed - Copyright James E. Martin 2012


Daily Sketch: Caricature Captured - Copyright James E. Martin 2012

Monday, September 24, 2012

Up and Then Down: Sketching with Poor Results

As with most human endeavors, there are up days and down days. Despite keeping the habit of pen to paper, I have not gotten much to appreciate for myself or good enough to share for a couple days. Today's return subway home got delayed by equipment disablement so I sketched the Alewife fish represention for the Cambridge stream.



Daily Sketch: Alewife Fish - Copyright James E. Martin 2012

Friday, September 21, 2012

Caricatures: Enjoying the Variety

I continue to work at volume, speed, caricature of likeness, and if possible, simplicity of line during mass transit commute. Eyes, noses, lips, and chins are always a challenge to get likeness without overdoing realism from the details and tones I see.

Daily Sketch: Backbay - Copyright James E. Martin 2012
 

Daily Sketch: Pensive and Anxious - Copyright James E. Martin 2012


 Daily Sketch: An Interesting Head - Copyright James E. Martin 2012


Daily Sketch: An Evening Snore - Copyright James E. Martin 2012

Daily Sketch: A Profile Likeness - Copyright James E. Martin 2012


Daily Sketch: Working the Feminine Eyes- Copyright James E. Martin 2012


Daily Sketch: A Brutus of Sorts - Copyright James E. Martin 2012


Daily Sketch: A Challenge for Likeness - Copyright James E. Martin 2012



Daily Sketch: Serene Grace Revisited - Copyright James E. Martin 2012

Again, many caricatures today with great variety of personage and perspective.  Revisited Serene Grace sketch to recall the far-off glance of the original moment observed before the picture.

Thursday, September 20, 2012

Extra Effort: Extending the Comfort Zone

Yesterday's frustration with lack of shape modeling caused me to draw from a photo before I finished on the train home and spend more time working to get away from the flatface. The smudging helped some. Still, perhaps not a young enough likeness.


Daily Sketch: RDGM Shape Modeling - Copyright James E. Martin 2012


Daily Sketch: Brother Journeyman - Copyright James E. Martin 2012


Daily Sketch: Absorbed - Copyright James E. Martin 2012


Daily Sketch: An Audience of One - Copyright James E. Martin 2012



Daily Sketch: Inner Solace - Copyright James E. Martin 2012


Daily Sketch: Jamming - Copyright James E. Martin 2012


Daily Sketch: Simple Lines- Copyright James E. Martin 2012


Daily Sketch: Restful - Copyright James E. Martin 2012



Daily Sketch: Alewife Serene Grace - Copyright James E. Martin 2012

Today was a unplanned prolific day for sketching without really having felt effort. A fellow Journeyman waiting for the commuter rail discussed his life's joys and travails with an Audience of One. The content of his Journey was a shared one with my own profile and I was intrigued to overhear it at the depot. I followed them onto the train and sat not too far away not knowing if I would have a chance to capture the remembrance in a sketch or two. It didn't look like I would gain a vantage point at first.  Journeyman was very animated, always moving, and mostly partially obstructed. To some degree, his likeness is a memory picture from lots of partial glances. I really like his Audience as a delicate fast caricature with wonderful lines and tonal contrast that captured a likeness. She was so polite and courteous as a friend to just listen and not judge.

Numerous other caricatures, some with simple lines.

At the end of the day on the return home on the inbound Alewife line, I noticed Serene Grace beside me out of the corner of my eye on the subway reading a textbook on exceptional children. She had a wonderful plaid scarf as a headpiece and as we were approaching my final stop, she looked up at a poster towards the ceiling to determine the railstop information and in a moment I saw a drawing I would have wanted to capture. I asked her quick permission to take a photo to see if I could recapture the image, explained my amateur artist predeliction, and she granted permission. I snapped a pic, shared the blog address and made an effort on the way home to portray what I saw in that moment. To some degree, I think I captured the feeling for my respect but not the likeness. I did not quite capture her youth or her angelic demeanor that I thought was there. But I thank her for her courtesy. This was the first time I ever asked a non-family member or stranger, in fact, to "model" where I asked permission to record and shared my Endeavor. In just a moment with limited time. It was a split second decision. So I did make extra effort to expand my habitual domain and work to the edge of my artistic comfort zone.

One of Life's Lessons revisited again.

Wednesday, September 19, 2012

A Return to Simple: Lines in Fast Action

I have been having difficulty formulating lips for a more delicate portrayal. This was a better caricature to capture the idea.

Daily Sketch: A Delicate Mouth - Copyright James E. Martin 2012


Daily Sketch: Other Daintiness- Copyright James E. Martin 2012


Daily Sketch: First Earrings- Copyright James E. Martin 2012


Daily Sketch: Chiseled Lines - Copyright James E. Martin 2012


Daily Sketch: Delicate Hands - Copyright James E. Martin 2012

Daily Sketch: Youngster- Copyright James E. Martin 2012


Daily Sketch: Lots of Character- Copyright James E. Martin 2012


Daily Sketch: Repose- Copyright James E. Martin 2012


Daily Sketch: Free and Easy Again - Copyright James E. Martin 2012


After the last few sketches, I have a sense of returning to two-dimensional flat-face configurations which I generally dislike. Sometimes its a function of being the only angle offered to me to sketch. Today's volume was about achieving a delicate approach when necessary, maintaining speed, and knowing and wanting to avoid the flat-face side view 2D. I also find the side view of eyes extremely difficult....with or without glasses.















Tuesday, September 18, 2012

Stylizing: Simple Lines to Calibrate

I had a sense over the last few days that many of my commuting sketches were not satisfying. So after a few quick failures and frustrations, I simplified the approach for one with the use of simple chiseled lines suitable for this individual. That helped me get back on track.

Daily Sketch: Chiseled Lines - Copyright James E. Martin 2012

Mass transit rails pose a lot of potential hazards and request people to Stand Back.



Daily Sketch: Stand Back - Copyright James E. Martin 2012

There are a lot of people watchers much like myself.


Daily Sketch: Young Perspective - Copyright James E. Martin 2012

And as I settled into my seat on the evening commuter rail, a luggage-overloaded traveler moved into the bench seat in front of me but had a covered beverage in his hand with an easy potential to crush and spill. I offered to hold the drink while he settled his packages. Then I got a sketch of him before the train got far from the station.

Daily Sketch: Hold Your Drink Friend - Copyright James E. Martin 2012

Monday, September 17, 2012

Morning Readiness: Be Prepared for Anything

The word is that wierd things can happen on the Mass Boston Transit Authority (MBTA) that irk other riders. I had a chance to observe some of it this morning. A gentleman carrying a knapsack and lunchpail nevertheless conducted a dry shave with a razor and then moisturized on the subway with folks sitting on either side of him. But he was ready for the day and maintained his hat in humble style with a restful finish before departing at the next stop.

Original Sketch: Morning Ablutions - Copyright James E. Martin

Irked the guy next to him who just kept shaking his head in wonderment and disdain. And I had a ringside seat quietly sketching.


Original Sketch: Morning Ablutions - Copyright James E. Martin

Sunday, September 16, 2012

Making Daddy's Birthday Art: Starting Early

So today's sketch is not from the mass transit commuting venue but from the moment my youngest daughter, nicknamed Peach, decided to sketch at the kitchen table first thing in the morning and create a birthday card for me. I grabbed my sketchbook to capture her while she worked her project. Her picture, a rocket ship, with the two of us in it looking like Wallace and Grommet on the way to the moon to capture some green cheese except that there were two peaches in the space-time galaxy hung like planets...her rationale being that since they are my favorite fruit and in season, they should be included in bright orange.


Daily Sketch: The Rocket-Peach - Copyright James E. Martin 2012

I utilized some graphite smudging to add solidness and shading. So that's a new effect without adding any more utensils and could useful on the commuting endeavor. I haven't quite captured her young age likeness even though she is five years old going on 28. But I am sketching routinely.

Friday, September 14, 2012

Caricatures vs Realism: A Trade-off

Today's Lesson Learned.....I have a sense during the few moments that I am sketching others during my daily commute that if I attempt to draw in a realistic manner, I can't get the details down fast enough and lose the moment and also fail to capture what my eye may see. But if I go faster and attempt a "caricature" approach with an emphasis on salient features, then I may actually get closer to accomplishing a likeness in the short amount of time allowed.


Daily Sketch: The First Caricature - Copyright James E. Martin 2012

Daily Sketch: The Second Caricature - Copyright James E. Martin 2012

Thursday, September 13, 2012

Capturing a Momentary Image: Going Fast

It seems a lot of commuting sketches may end up about the back of the head.

Original Sketch: Back of the Head 01 - Copyright James E. Martin 2012

Original Sketch: Back of the Head 02 - Copyright James E. Martin 2012


Original Sketch: Sleeping and Reading - Copyright James E. Martin 2012

Or drawings involving dozing and reading with eyes lowered.

Original Sketch: Other Commuting Activities - Copyright James E. Martin 2012

Hair and head shape seems easier to obtain in a short amount of time. Hands and the objects they grasp show a lot more movement and are difficult to capture in a moment's time. But as a newbie self-taught artist, I have a lot of practicing to accomplish. I endeavor to keep moving forward and will look back after a few weeks of effort.

Wednesday, September 12, 2012

Daily Sketching: Posture and Position

Given a few extra seconds, I can maybe attempt to sketch more than just a head shot. It seems I am only able to get a general shape and form before something changes.


Original Sketch: Commuting Paraphenalia- Copyright James E. Martin 2012

Original Sketch: Relaxed Posture- Copyright James E. Martin 2012

The sketches appear quite light on-line. To some degree that must reflect my current hesitation, uncertainty, and tentativeness.